Since the Ming Dynasty, the golden nanmu has become the royal family. Ming Chengzu Zhu Yujian’s Forbidden City, including the summer resort built by Emperor Kangxi, used an oversized material that was more than 600 years old. And the court office or the house of government has the method of selecting the golden nanmu. From the Ming ancestor to the Qing Shizong, the seventeen dynasty emperors who took charge of the Central Plains regime in the two dynasties were squandered by the Emperor Qianlong for several years.
Nowadays, most of the golden nanmu furniture that is seen on the market is spliced, and even the top grade of glutinous rice, the output rate of gold silk is only 1%-3%, otherwise it will not be a piece of furniture. Million. Therefore, novices should start with low-priced small pieces, and square cards and bracelets are preferred. The small pieces of the finished product have a faint fragrance, which is much lighter than the taste of the logs. Because the finished product is polished, some of the brown eyes on the surface of the wood are blocked, and the fragrance cannot be completely emitted. In addition, the fiber of the sapwood is thicker than the average wood, and has a metallic texture, and the trait is relatively intuitive.
The small leaf rosewood and huanghuali are soft and the maintenance is especially good. Taking bracelets as an example, first of all, most manufacturers will put a layer of wax on their surface when they are shipped from the factory, so first use a dry towel to remove this layer of wax, 1-2 hours a day, three or four days. This will not only remove the wax layer and dirt on the surface of the bracelet, but also polish the beads twice, so that the surface of the beads is more glossy and the texture is more refined. However, if you don't have a waxed bracelet, you can't use a dry towel. Once you get through the fire, the surface of the bracelet will become rough, the brown eyes will be very large, and even the most maintenance on the edge will use a cotton cloth. The oil of the nanmu wood itself overflows to form a patina, and the bracelet is safe.
During this period, pay special attention to the fact that you can't use the hand plate. Because the sweat on your hands will mix dirty things and block the brown eyes, the dirt will become darker and the color will become darker. Wait until the surface is patina, not only bright, but also good-looking, does not affect the odor emission, and then the hand plate, dirty things can not enter the wood, and hand sweat will make the patina more and more thick, the color will be brighter and brighter .
The hand string is used in this way to discard the round gold wire, if the gold wire is dense wax. Beeswax is colorless and odorless, has no strong adhesion and corrosiveness, and does not block the brown eyes and pores on the surface of the nanmu wood, and does not affect its traits and fragrance. In addition, we must ensure that the material itself can not be wet, not exposed to the sun.
Once the water is wet, dry the surface, and then slowly dry it in a cool, ventilated place. If it is dried or dried directly, the humidity inside and outside the material is not the same, and it is easy to crack.
The beauty of the golden nanmu is derived from nature, the texture is plain, soft and tough, the temperature is light and the temperament is elegant. Compared with huanghuali, Jinsi Nanmu has no temperament as a charming texture, and there will never be a horrible singer of Mars. She is only plain and bright, not applying powder, not glamorous, but bright and moving, elegant and quiet; Red sandalwood, golden nanmu is not implanted with deep mystery of the bone marrow, and there is no dignity and luxury. She just means a quiet, with a satin-like smile and a bleak temperament to resolve all violence and anxiety, it is warm and sturdy, just like a cup of tea or even A glass of boiled water.
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Caring for and preserving collections is among the most mission-critical tasks a history organization is charged with. Creating a physical environment that ensures that those collections are preserved for future generations is often the most cost-effective way to address the collection as a whole. In short, it`s cheaper to make sure the collection doesn`t need to be treated for damage than it is to conduct conservation work after the damage is done.
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